The Work
Three ways of seeing
Every couple is different. Every day has its own light, its own rhythm, its own emotional register. These three bodies of work reflect the range of approaches I bring — turn the pages and find the one that feels like yours.
I — Editorial
Clean lines. Intentional light.
Graphic compositions, precise framing, and a directorial eye. These images are built — not found. Suited to couples who want their wedding to feel like a fashion story.
II — Film Inspired
Warm grain. Honest colour.
Shot on and processed to emulate analogue film — the softness, the warmth, the way highlights roll off without clipping. This is the work that couples come back to in twenty years.
III — 1980s Film
Fade. Grain. Memory.
Expired stock aesthetics, shifted palettes, the nostalgic warmth of Super 8 and Kodachrome. These photographs feel like they were found in a shoebox — in the best possible way.
IV — Documentary
Real moments. Real people.
Unposed, unmanaged, and entirely honest. These images were found, not built — the kind of coverage that gives you back the moments you were too present to notice while they were happening.
“If something in these pages felt like it belongs to you, I’d love to hear about your day.”